THE BONSAI TREE: QUESTION ANSWERS OF EVERGREEN WORK BOOK
ASSIGNMENTS
1. Text-based Multiple Choice Questions (MCQs)
Read the following questions and select the
correct option:
1. Select the option that shows the correct
relationship between the statements (1) and (2)
1. The bonsai tree can
grow very tall.
2. It is carefully
pruned to prevent its growth to serve as a decorative piece.
(a) 1 is the cause for
2.
(b) 1 is an example of
2.
(c) 1 is independent of
2.
(d) 1 is a
contradiction of 2.
Ans. 1.
(d) 1 is a contradiction of 2.
2. Which of these statements
is NOT true?
(a) The bonsai tree is
an extended metaphor for a woman in patriarchal society.
(b) The growth of a
woman is deliberately stunted in a man-dominated society.
(c) A woman is
brainwashed to be careful only about her looks from the beginning.
(d) The poet urges all
women to revolt against their oppressors.
Ans. (c) A woman is brainwashed to be careful
only about her looks from the beginning.
3. Every day as he
Whittles back the
branches
the gardener croons,
Select the word that shows the mood of the
gardener, as revealed by the above- mentioned lines.
(a) sad
(b) thwarted
(c) happy and
self-satisfied
(d) jealous
Ans. (c) happy and self-satisfied
4. Which of these attributes are NOT generally
associated with women by men in patriarchal societies?
1. intelligent
2. mentally strong
3. weak
4. attractive
5. confident
6. capable of taking
independent decisions
(a) 2,3,4
(b) 1, 2, 5 and 6
(c) 3, 4, 5 and 6
(d) 1, 3, 4 and 5
Ans. (b) 1, 2, 5 and 6
5. how lucky, little
tree,
to have a pot to grow
in.
Which figure of speech is used in these lines?
(a) simile
(b) oxymoron
(c) irony
(d) pun
Ans. (c) irony
6. What does the word 'artifice in the title of
the poem 'A Work of Artifice' mean?
(a) art
(b) trickery
(c) intelligence
(d) skill
Ans. (b) trickery
7. Which of these statements is NOT true?
(a) Women are
themselves responsible for their plight in society.
(b) Women are
conditioned to willingly accept stereotypical roles.
(c) The gardener represents
the stereotypical male.
(d) Women need to
protest against their suppression.
Ans. (a) Women are themselves responsible for
their plight in society.
8. Which of these attributes are NOT generally
associated with women by men in patriarchal societies?
(a) intelligence
(b) dependence
(c) obedience
(d) weakness
Ans. (a) intelligence
9. How does the gardener feel as he addresses the
bonsai tree ?
(a) sad
(b) happy
(c) excited
(d) happy and proud
Ans. happy and proud
10. Why are women's feet bound in some cultures?
(a) to punish women
(b) to make women
slaves
(c) to make women
realize their unimportance
(d) to make them small
and look attractive
Ans. (d) to make them small and look attractive
11. What would have happened to the bonsai tree
if it had not been pruned?
(a) it would have died
(b) it would have grown
80 feet tall
(c) it would have
looked attractive
(d) it would have borne
fruit.
Ans. (b) it would have grown 80 feet tall
12. The tone of the speaker in the poem is
(a) condescending
(c) entertaining
(b) amusing
(d) solemn
Ans. (a) condescending (disdainful)
13. Select the option that best suggests that the
poem is talking about women.
(a) it is your
nature/to be small and cozy
(b) the crippled
brain/the hair in curlers
(c) the hands you/love
to touch
(d) the bonsai tree/in
the attractive pot
Ans. (d) the bonsai tree/in the attractive pot
14. What is the theme of the poem? Select the
correct option:
(a) Men are oppressors.
(b) Social conditioning
is used to prevent women from flourishing to their full potential.
(c) Women are
conditioned to feel happy in being small and weak.
(d) Women must protest
against their stereotypical role in society.
Ans. (b) Social conditioning is used to prevent
women from flourishing to their full potential.
15. Which of these figures of speech is
extensively used in the poem?
(a) personification
(b) metaphor
(c) simile
(d) alliteration
Ans. (b) metaphor
2. Comprehension
Passages
PASSAGE-1
Read the extract
given below and answer the questions that follow:
The
bonsai tree
in
the attractive pot
could
have grown eighty feet tall
on
the side of a mountain
till
split by lightning
But
a gardener carefully pruned it.
It
is nine inches high.
(i) What kind of
tree is a bonsai? What does it stand for in the poem?
Ans.
Bonsai, a globally popular Japanese gardening technique, which involves
miniaturizing trees so that they can be grown in a pot. It is considered a form
of art and is highly acclaimed the world over. In her poem "A Work of
Artifice," Marge Piercy uses a bonsai tree as an extended metaphor to
comment on the manner in which women are regarded by society. The tree through
the use of imagery is used to symbolize how women are oppressed and their
potentials are constrained by males.
(ii) Where could
it have grown fully? What has stunted its growth?
Ans. It could have
grown eighty feet tall in its natural environment on the side of a mountain. Its
growth is stunted by the gardener's careful pruning, and whittling it, thus
stunting its growth.
(iii) Who does
the gardener stand for in the poem? Why does it not let the bonsai tree grow to
its full potential?
Ans.
The gardener, in the poem,
represents the patriarchal society or the forces that restrict women's growth
and potential by constant oppression and torture forcing them to remain an object
of pleasure and enjoyment for men.
(iv) Why does
the gardener want the bonsai to remain small and weak? What is its implication
in the poem?
Ans.
The gardener wants the bonsai to remain small and weak for aesthetic purposes
and control, reflecting societal pressure to conform to traditional beauty
standards and limitations on women's growth.
Implication:
This
restriction symbolizes patriarchal society's constraint on women's potential,
limiting their opportunities. It highlights the damaging effects of societal
expectations, stifling individual growth and autonomy. The controlled bonsai
tree represents women's lives shaped by oppressive norms, underscoring the need
for empowerment and change.
Or,
Ans.
The gardener wants the tree to remain small and weak as he wants to make it
attractive and decorative. But this shows a condemning tone because a tree's
nature is to be anything but small, this also represents how men expect women
to conform to their standards. The gardener takes pride in shaping the tree to
his own purposes, imposing his own will on it so that it conforms to his
wishes. The gardener dwarfs the tree by pruning it when it pruned, when it had
the potential to grow "eighty feet tall."
(v) What is the
main idea projected in the poem?
Ans.
The main idea is that social conditioning restricts women's potential,
mirroring the gardener's manipulation of the bonsai tree. The speaker criticizes
the societal norms and highlights the grave consequences of limiting women's
potential and forcing them to remain an object of pleasure and enjoyment for
men.
PASSAGE-2
Read the extract
given below and answer the questions that follow:
Every
day as he
whittles
back the branches
the
gardener croons,
It
is your nature
to
be small and cozy.
domestic
and weak:
1. What is the
function of the ‘gardener’? What function of the ‘gardener’ referred to in the
poem is in reality regressive (peechhei or badhna/decline/deterioration/rudhivadi/avnati
ki or badhna) and harmful? How?
Ans.
The gardener tends to the tree and carefully prunes it. He whittles the tree which
is regressive and harmful in reality, for it is a way to prevent the tree from
growing to its original height of eighty feet and manipulating it to remain
only nine inches high. The tree is forced to remain small and look beautiful
like a show piece. This represents the ugly, oppressive and lustful aspects of
men who always want women to dance like the toys throughout life in the hands
of men.
2. In what tone
does the gardener speak? What picture do you form of the gardener in your mind
as he speaks to the bonsai tree?
Ans.
The gardener is condescending (upeksha karna/nicha dikhana/ahankar
karna/ghamand karna) to the bonsai tree in the way that you would console a
child or a baby who cannot fully comprehend things. He manipulates and dwarfs
its growth when it has the potential to grow to eighty feet. I feel the
gardener tortures the tree and is manipulative. The gardener leaves an
impression of himself that he cannot be trusted. as one imagines the tree as it
is and the tree as it might have been and this feels one with sadness. Suddenly
we are no longer admiring the minute beauty of the bonsai but are imagining all
of its lost potential.
(i) Tone and
image of the gardener
Ans.
The gardener speaks in a soothing, gentle, and patronizing tone, conveying a
sense of superiority. As he speaks, I imagine the gardener as a calm,
self-satisfied figure, perhaps smiling, with a sense of control and dominance
over the bonsai tree. His tone and demeanor imply a conviction that his actions
are benevolent and necessary. This image highlights the insidious (dangerous/menacing)
nature of patriarchal oppression, often disguised as care or protection. The
gardener's tone masks the harm caused by his restrictive pruning. His words and
actions reinforce societal constraints.
(iii) In what
way is the gardener wrong?
Ans.
The gardener is wrong in imposing his will on the bonsai tree, stifling its
natural growth and potential. He perpetuates harmful stereotypes (social
prejudice/samaajik poorvagrah/rudhivaadita), dictating what the tree should be
("small and cozy, domestic and weak"). This reflects societal
pressures limiting women's choices and aspirations. The gardener's actions deny
the tree's self-sufficiency and independence. By pruning the tree, he restricts
its possibilities, mirroring patriarchal constraints on women. His words
reinforce (strengthen) damaging gender roles.
Or,
Ans.
The gardener is wrong in his patronizing attitude He treats the tree as a mere
possession that he can literally manipulate rather than treating it as an
independent life. He prunes and whittles its branches to give it an unnatural
shape and size. The tree (woman) is forced to accept a position that may or may
not be suited to it and thus is highlighted the falseness of this imposed
nature.
(iv) What do the
last two lines suggest?
Ans.
The last two lines "It is your nature to be small and cozy, domestic and
weak" suggest the gardener's attempt to internalize and naturalize the
tree's constrained state. This implies that societal expectations can become
deeply ingrained, making individuals believe their limitations are inherent.
The lines highlight the dangers of internalized (incorporated/integrated/adopted)
oppression and the need for critical self-reflection. They underscore the
importance of challenging harmful norms and promoting empowerment.
(v) What does
the word "croons" mean? What does it imply?
Ans.
"Croons" means to sing or hum softly, often in a soothing manner. The
word implies the gardener's gentle, almost loving tone, which belies the harm
caused by his actions. This contrast highlights the insidious nature of
patriarchal oppression, often presented as benevolent or protective. The
gardener's crooning tone masks his control and dominance, underscoring (calling
attention to/accentuating/highlighting/emphasizing) the need for critical
awareness.
Or,
Ans. Croons means to speak gently and intimately to as done to a baby to give
it the impression that it is loved and cared for. This idea makes it seems like
the gardener is condescending to the bonsai tree in the way that you would
console a child or a baby who cannot fully comprehend things. Crooning is
generally used to manipulate a child who is upset and has to be pampered and
coddled to make it listen and do what is required.
PASSAGE-3
Read the extract
given below and answer the questions that follow :
how
lucky, little tree.
to
have a pot to grow in.
With
living creatures
one
must begin very early
to
dwarf their growth.
(i) Who is the
speaker? Who is being addressed?
The
speaker is the poet/narrator, critically reflecting on societal norms. The
addressee is the bonsai tree, symbolizing women and their constrained potentials.
Through this address, the poet highlights the restrictive environments and
expectations imposed on women.
(ii) What does
the pot mean in the metaphorical context of the poem ? Give its relevance to
the development of women?
Ans. In the
metaphorical context, the pot represents:
1.
Societal constraints: Limiting women's opportunities, choices, and autonomy.
2.
Restrictive roles: Expecting women to conform to traditional gender norms.
3.
Controlled growth: Stifling women's intellectual, emotional, and professional
development.
4.
Artificial boundaries: Imposing rigid expectations, suppressing individuality.
Relevance to
women's development:
1.
Limited access to education and resources.
2.
Restricted career choices and advancement.
3.
Suppressed autonomy and decision-making.
4.
Internalized oppression, self-doubt, and low self-esteem.
(iii) What do
males do to stunt the growth of women?
Ans.
Patriarchal society, represented by males, stunts women's growth through:
1.
Systemic oppression: Institutionalized sexism, unequal laws, and policies.
2.
Socialization: Teaching women to prioritize domesticity over personal
ambitions.
3.
Stereotyping: Perpetuating harmful gender roles and expectations.
4.
Economic control: Limiting financial independence and opportunities.
5.
Cultural norms: Enforcing modesty, silence, and submission.
6.
Education and resource restrictions: Denying access to knowledge and skills.
7.
Violence and intimidation: Using fear to maintain control.
(iv) Bring out the significance of the last
two lines. ("With living creatures one must begin very early to dwarf
their growth.")
Ans.
These last two lines signify:
1.
Early socialization: Societal expectations are imposed on women from a young
age.
2.
Internalized oppression: Women are conditioned to accept limitations as
natural.
3.
Long-lasting impact: Early conditioning has lasting effects on women's growth
and potential.
4.
Evaluation of patriarchal norms: The speaker highlights the harm caused by
restrictive societal expectations.
(v) What stereotypical
(orthodox/ conventional/ hackneyed) role do women play in life? How are they tricked to perform it?
Ans.
The stereotypical roles played by women are:
1.
Caregivers and nurturers
2.
Domestic managers
3.
Submissive partners
They
are tricked to perform it through:
1.
Socialization and conditioning
2.
Cultural norms and expectations
3.
Education and media representation
4.
Economic dependence
5.
Fear of rejection and isolation
PASSAGE-4
Read the extract
given below and answer the questions that follow :
the
bound feet,
the
crippled brain,
the
hair in curlers,
the
hands you love to touch.
(i) Which shift
in context is brought out with these lines?
Ans.
These lines shift the context from the bonsai tree metaphor to explicit
examples of societal constraints/ restrictions imposed on women.
(ii) In which
context are women's 'feet' bound? Why?
Ans.
Women's feet are bound in some cultures (notably ancient China) to:
1.
Prevent natural growth.
2.
Achieve an aesthetically pleasing, small foot size.
3.
Symbolize beauty and femininity.
4.
Demonstrate obedience and submissiveness.
So
that women's mobility and autonomy can be controlled and they can be used as
the bonsai trees.
(iii) Why are women made to look attractive?
Ans.
Women are made to attractive so that:
1.
Patriarchal beauty standards can be maintained.
2.
Societal validation and acceptance can be obtained.
3.
Marriageability and social status can be retained.
4.
Male gaze and approval can be upheld.
5.
Economic opportunities (e.g., modeling, entertainment) can be availed.
This
emphasis on attractiveness leads to:
1.
Objectifying women.
2.
Reinforcing harmful beauty standards.
3.
Distracting from intellectual and personal growth.
4.
Perpetuating gender roles and stereotypes.
(ii) The last
two lines "the hair in curlers, the hands you love to touch" are ironic. How?
Ans.
The irony lies in:
1.
Contrasting societal expectations (beauty) with genuine human connection (love).
2.
Highlighting the artificial (curlers) versus natural (hands).
3.
Exposing the objectification of women's bodies (hands to touch).
(iii) What does
the poet seem to lament? What does she expect of women?
Ans. The poet
laments:
1.
Societal constraints on women's growth
2.
Internalized oppression
3.
Loss of autonomy and agency
The poet expects
women to:
1.
Recognize and challenge societal norms
2.
Assert autonomy and individuality
3.
Prioritize personal growth and empowerment
4.
Reject harmful beauty standards and stereotypes
PROJECT
ASSIGNMENTS
1. Comment on
the title of the poem "A Work of Artifice". Bring out its relevance.
.
Ans.
The title suggests that the poem explores the artificial constraints imposed on
women, likening their lives to a crafted, artificial work of art.
"Artifice" implies deception, manipulation, and unnatural creation.
Relevance:
-
Highlights societal expectations forcing women into predetermined roles
-
Critiques patriarchal norms controlling women's lives
-
Emphasizes the tension between natural growth and artificial constraints
2. What is this
poem about? What is the message of the
poem?
Ans.
The poem explores the restrictive lives of women in patriarchal societies.
Message:
-
Women's potential is stifled by societal expectations
-
Artificial constraints limit their growth and autonomy
-
Internalized oppression perpetuates harmful norms
3. In what mood
is the poet? How does she proceed to bring out the plight of women in the
patriarchal society?
Ans.
The poet's mood is critical, reflective, and empathetic.
Tone:
-
Sarcastic (e.g., "How lucky, little tree")
-
Ironical (e.g., "to have a pot to grow in")
-
Concerned (e.g., "one must begin very early to dwarf their growth")
The
poet proceeds to:
-
Use metaphors (bonsai tree) to illustrate constrained growth
-
Highlight internalized oppression ("It is your nature to be small")
-
Critique societal norms controlling women's lives
4. Comment on
the imagery used in the poem.
Ans.
The imageries used in the poem are:
-
Bonsai tree: symbolizes controlled growth, artificial constraints
-
Pot: represents societal expectations, limitations
-
Pruning: illustrates suppression of natural growth
-
"Dwarf their growth": emphasizes artificial constraints
Other
imagery:
-
"Whittling back the branches": control, manipulation
-
"Croons": soothing tone masking harm
-
"Small and cozy, domestic and weak": societal expectations
The
imagery creates a vivid picture of women's restricted lives, emphasizing the
need for change.
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